This week we are going to continue with some examples of how to use our polyrhythmic groupings. For this exercise I've changed the harmonic/melodic colour to the Lydian mode. Although the result might sound a little "new age-y" you might use it to begin to see the possibilities of applying a rhythmic concept to any chord/scale. Next post we'll take a look at how one of my favourite jazz pianists, Herbie Hancock, uses polyrhythmic groupings in his solos.
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